ADORNO, THEODOR. “AESTHETIC THEORY” 1970.
BARTHES, ROLAND. “CAMERA LUCIA: REFLECTIONS ON PHOTOGRAPHY” 1980
BARTHES, ROLAND. “DEATH OF THE AUTHOR” 1967
BARTHES, ROLAND. “IMAGE, MUSIC, TEXT” 1977
BATAILLE, GEORGE. “OEUVRES COMPLÈTE” ÉDITION GALLIMARD. 1970.
BAZIN, ANDRÉ. “THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE” FILM QUARTERLY VOL. 13 # 4. 1960.
BECKETT, SAMUEL. CASCANDO, 1936.
BELL, CLIVE. “THE AESTHETIC HYPOTHESIS” 1914.
BENJAMIN, WALTER. “A SHORT HISTORY OF PHOTOGRAPHY” 1931.
BENJAMIN, WALTER. “THE WORK OF ART IN THE AGE OF MECHANICAL REPRODUCTION” 1936.
BERGER, JOHN. “WAYS OF SEEING” EPISODE ONE. 1972.
BERGER, JOHN. “WAYS OF SEEING” EPISODE TWO. 1972.
BERGER, JOHN. “WAYS OF SEEING” EPISODE THREE. 1972.
BERGER, JOHN. “WAYS OF SEEING” EPISODE FOUR. 1972.
BISHOP, CLAIRE. “DIGITAL DEVIDE” ARTFORUM. SEPTEMBER 2012.
BORGES, JORGE LUIS. LABYRINTHS. 1962.
CAGE, JOHN. ON SILENCE: LECTURES AND WRITINGS BY JOHN CAGE. WESLEYAN UNIVERSITY PRESS. 1973.
CARSON, ANNE. SHORT TALKS. VINTAGE BOOKS. 1995.
CLARK, T.J.. THE PAINTING OF POSTMODERN LIFE? QUADERNS PORTATILS. 2000.
CRIMP, DOUGLAS. “PICTURES” X-TRA. VOL.8 #1, 2005.
DAMISCH, HUBERT. “THE ORIGIN OF PERSPECTIVE” MIT PRESS. 1995
DEBORD, GUY. “THE SOCIETY OF SPECTACLE” ZONE BOOKS. 1994.
DERRIDA, JACQUES. “THE TRUTH IN PAINTING” THE UNIVERSITY OF CHICAGO PRESS. 1987.
DIDI-HUBERMAN, GEORGE. “DEVANT L’IMAGE: DEVANT LE TEMPS” 1992-1999.
ELIOT. TS. THE WASTELAND. 1922.
FLUSSER, VILEM. ” TOWARDS A PHILOSOPHY OF PHOTOGRAHY” (EXCERPTS). 2000.
FOUCAULT, MICHEL. “OF OTHER SPACES: UTOPIAS AND HETEROTOPIAS”. 1967
FOUCAULT, MICHEL. “THIS IS NOT A PIPE” 1973.
FRIED, MICHAEL. “ART AND OBJECTHOOD.” 1967.
FRIEDBERG, ANNE. THE VIRTUAL WINDOW. MIT PRESS. 2006.
FRY, ROGER. “AN ESSAY IN AESTHETICS”. 1909.
GIBSON, WILLIAM. NEW ROSE HOTEL. 1984.
GREENBERG, CLEMENT. “AVANT-GARDE AND KITSCH” 1939.
HASKELL, BARBARA. “AGNES MARTIN” WHITNEY MUSEUM OF AMERICAN ART, NEW YORK. 1992.
HEIDEGGER, MARTIN, “ART AND SPACE” TRANSLATED BY CHARLES E.SEIBERT.
HICKEY, DAVE. “ENTER THE DRAGON: ON THE VERNACULAR OF BEAUTY” 1993.
HOCKNEY, DAVID. “SECRET KNOWLEDGE” EPISODE ONE. BBC. 2003.
HOCKNEY, DAVID. “SECRET KNOWLEDGE. EPISODE TWO. BBC. 2003.
JORN, ASGER. “FORMS CONCEIVED AS LANGUAGE”. 1949.
KLEE, PAUL. “ON MODERN ART” 1924.
KRAUSS, ROSALIND E.” NOTES ON THE INDEX, PART 1″ 1976.
KRUGER, BARBARA. “”TAKING” PICTURES” 1982.
KOSUTH, JOSEPH. “ART AFTER PHILOSOPHY” 1969.
LEIBY, SOPHIA. “POST-INTERNET PAINTING AND THE DEATH OF AFFECT.” POOOOL.INFO. 2011
MAHOLY-NAGY, LASZLO. PAINTING, PHOTOGRAPHY, FILM. LONDON: LUND HUMPHRIES, 1969.
MANOVICH, LEV. “POST-MEDIA AESTHETIC” 2005.
MATISSE, HENRI. NOTES OF A PAINTER. 1908.
METELERKAMP, PETER. “QUESTIONING REALISM: BAZIN AND PHOTOGRAPHY” 2001.
MORLEY, SIMON. “INTRODUCTION / THE CONTEMPORARY SUBLIME.”
MORRIS, ROBERT. “NOTES ON SCULPTURE PART 1” ARTFORUM. 1966
OWENS, CRAIG. “THE ALLEGORICAL IMPULSE: TOWARD A THEORY OF POSTMODERNISM.” 1980.
OWENS, CRAIG. “THE ALLEGORICAL IMPULSE: TOWARD A THEORY OF POSTMODERNISM” 1980. (PART TWO)
POUND, EZRA. THE ABC OF READING. FABER & FABER. 1951.
PRICE, SETH. “DISPERSION” 2002.
RANCIÈRE, JACQUES. “THE AESTHETIC REVOLUTION AND ITS OUTCOME” 2002.
RAY, MAN. THE AGE OF LIGHT. 1933.
RØDLAND, TORBJØRN. “SENTENCES ON PHOTOGRAPHY” TRIPLE CANOPY, ISSUE #12: “BLACK BOX”, 2011.
SERRA, RICHARD. TALK WITH CHARLIE ROSE. 2001.
SMITHSON, ROBERT. “ENTROPY AND THE NEW MONUMENTS. ARTFORUM. 1966.
SMITHSON, ROBERT. ” A PROVISIONAL THEORY OF NON-SITES” 1968.
STEYERL, HITO. “IN DEFENSE OF THE POOR IMAGE.”E-FLUX JOURNAL #10. 2009
TUAZON, OSCAR. TALK AT THE NEW SCHOOL.
VIERKANT, ARTIE. “THE IMAGE OBJECT POST INTERNET.” JSTCHILLIN.ORG. 2010